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Given the vast majority of major criticisms levelled at this film, it would appear that a large percentage of the audience has completely missed the joke, or simply, didn't find it at all amusing. With Death Proof (2007), Tarantino creates such a loving homage to a notoriously cult cinematic sub-culture that many people seem unaware of how to approach it or even how to appreciate the sheer fact that the film purposely goes out of its way to ape the style of late 60's and early 70's exploitation cinema in look, feel and content. The film isn't meant to be taken entirely seriously, but rather, is a parody and/or pastiche of the kind of films that the vast majority of mainstream audiences simply wouldn't want to see. I'm talking about films such as Two-Thousand Maniacs (1964), Ride the Whirlwind (1965), Manos: The Hands of Fate (1966), Satan's Sadists (1968), The Big Bird Cage (1971), Boxcar Bertha (1972), Fight for Your Life (1977) or Satan's Cheerleaders (1977); low-budget films made with often-non-professional actors, little in the way of conventional film logic, and highly controversial in terms of plot, theme and content. Some of the popular and most common titles of the Grindhouse genre are Death Race 2000, Blacula, Piranha, Boxcar Bertha, Cannibal Hookers, Shogun Assassin, Blood feast, Last House on the Left, Born Loser, Cannibal Holocaust, Dawn of the Dead, to name a very few. The Guardian 's Peter Bradshaw expressed admiration for the car crash scene, describing it as "a lethal roar of entertainment", but said that the film was padded with "long, long, long stretches of bizarrely inconsequential conversation […] which are a big comedown from the glorious riffs from Reservoir Dogs and Pulp Fiction", and that overall "Tarantino's twisted genius is there for all to see – but, it must now be admitted, all too briefly". [22] Tarantino said at a director's roundtable, " Death Proof has got to be the worst movie I ever made. And for a left-handed movie, that wasn't so bad, all right? — so if that's the worst I ever get, I'm good." [23]

I remember my father showing me a scene from Death Proof years ago. And since the film is made to look like an old movie, I kind of assumed it was at least from the 80's. Later I saw screenshots and started realising that there's no way it's as old as I thought it was. But I love the fact that it looks like that. The slightly grainy shots, how the movie looks like the whole cinematography was done not entirely seriously? All of those make it look like some 80's B-movie, which is definitely a good look for a film.But Death Proof is a different animal altogether. Being his own cinematographer, QT has full control over the shots that he makes, and injects plenty of sleaze into his story - buxomy, leggy girls in tight tees and perky butts peeking out of hot pants, flaunting their power of sexuality in alpha-female styled attitudes. It's actually two different segments in one movie, each being quite different from the other in terms of themes, and style. Cahiers du Cinema: 2007". Archived from the original on March 27, 2012 . Retrieved December 1, 2018. A Japanese DVD release has the films Grindhouse, Death Proof and Planet Terror, with extras and fake trailers, in a six-DVD box set (English with optional Japanese subtitles). Death Proof was also released as a German HD DVD, believed to be the last film published in the now-defunct format. [26] The experience is so bloody boring: 45 minutes of nothing but chit-chat (complete with your oh-so tiresome references to Kahuna burgers and Red Apple cigarettes), followed by a decent car crash (that shows what you are capable of when you're not trying so hard to be cool), then more chin-wagging (mention foot massage one more time, Quentin. I dare you. No, I double dare you!), even more movie references (don't you understand that when you have your actresses wax lyrical about B-movies and fast cars, thus creating a fantasy world where gorgeous women actually share YOUR passions, it comes across as rather sad?), and, finally, a well executed car chase capped with an extremely crap ending. According to Robert Rodriguez, "[Tarantino] had an idea and a complete vision for it right away when he first talked about it. He started to tell me the story and said, 'It's got this death-proof car in it.' I said, 'You have to call it Death Proof.' I helped title the movie, but that's it." [3] Of the car chases, Tarantino stated: " CGI for car stunts doesn't make any sense to me—how is that supposed to be impressive? [...] I don't think there have been any good car chases since I started making films in '92—to me, the last terrific car chase was in Terminator 2. And Final Destination 2 had a magnificent car action piece. In between that, not a lot. Every time a stunt happens, there's twelve cameras and they use every angle for Avid editing, but I don't feel it in my stomach. It's just action." [4] Death Proof marked Tarantino's first credit as a cinematographer.

That jukebox list is more interesting to me than this film. I've tried several times to enjoy it and get into it - the grindhouse nature of it being so talky isn't lost on me. It just never really goes anywhere, no matter how many times I watch it. Grindhouse Dismantled". April 30, 2007. Archived from the original on September 27, 2007 . Retrieved May 10, 2007. Death Proof came out in 2007 and I remember watching this movie with my friend and having a really good time. I watched the movie another time a few years later and really enjoyed it to for other reasons, especially the classic car chase sequence.Empire magazine gave the film four out of five stars and a mostly positive review, describing the film as "Tarantino driving wildly under the influence" and "seriously entertaining". [19] The BBC's Anna Smith said that while there was "fun to be had" with the film, "its imitation of a defunct, low-budget style of movie-making is perhaps too accurate when it comes to the genre's flaws", [20] and gave the film three out of five stars. Roger Ebert gave Grindhouse 2.5 out of 4 stars, writing that while Death Proof was the more enjoyable half of the bill, it was still marred by overlong scenes of expository dialogue. [21] Death Proof was released on DVD in the US on September 18, 2007, in a two-disc special edition featuring the extended version of the film, documentaries on the casting of the film, the various muscle cars and Tarantino's relationship with editor Sally Menke, trailers, and an international poster gallery. [25] On December 16, 2008, a BD release of identical content followed.